I grow warm, I begin to feel happy. There is nothing extraordinary in this, it is a small happiness of Nausea: it spreads at the bottom of the viscous puddle, at the bottom of our time-the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain. No sooner than born, it is already old, it seems as though I have known it for twenty years.
...A few seconds more and she will sing. It seems inevitable, so strong is the necessity of this music: nothing can interrupt it, nothing which comes from this time in which the world has fallen; it will stop of itself, as if by order. If I love this beautiful voice it is especially because of that: it is neither for its fullness nor its sadness, rather because it is the event for which so many notes have been preparing, from so far away, dying that it might be born. And yet I am troubled; it would take so little to make the record stop: a broken spring, the whim of cousin Adolphe. How strange it is, how moving, that the hardness should be so fragile. Nothing can interrupt it yet all can break it.
The last chord has died away. In the brief silence which follows I feel strongly that there it is, that something has happened.
Silence.
"Some of these days
You'll miss me honey"
What has just happened is that the nausea has dissappeared. When the voice was heard in the silence, I felt my body harden and the Nausea vanish. Suddenly: it was almost unbearable to become so hard, so brilliant. At the same time the music was drawn out, dilated, swelled like a waterspout. It filled the room with its metallic transparenc, crushing our miserable time against the walls. I am in the music.
Globes of fire turn in the mirrors; encircled by rings of smoke, veiling and unveiling the hard smile of light. My glass of beer has shrunk, it seems heaped up on the table, it looks dense and indispensable. I want to pick it up and feel the weight of it, I stretch out my hand ... God! That is what has changed, my gestures. This movement of my arm has developed like a majestic theme, it has glided along the song of the Negress; I seemed to be dancing.
... I am touched, I feel my body at rest like a precision machine. I have had real adventures. I can recapture no detail but I perceive the rigorous succession of circumstances. I have crossed seas, left cities behind me, followed the course of rivers or plunged into forests, always making my way towards other cities. I have had women, I have fought with men; and never was I able to turn back, any more than a record can be reversed. And all that led me - where?
At this very instant, on this bench, in this translucent bubble all humming with music.
"And when you leave me..." the record stops.








